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牛niu-lai.net
English

Behind the film

The mother and son who made Niu Lai

Every credit on Niu Lai (牛来) belongs to two people: Xin Yumeng (信雨萌), a landscape designer from Dalian who directed it, modelled it, animated it, edited it and voiced the calf, and his mother Sun Lifang (孙丽芳), who wrote the story, voiced two characters, and composed and sang the song over the end credits. No studio, no team, no investors. One second-hand computer, architecture software, and five years. Portraits below via their Douban credits page.

Who they are

Two bios, because that is the entire crew

Xin Yumeng, the director of Niu Lai, photographed outdoors by the sea in Dalian
Photo: Douban

Xin Yumeng 信雨萌

Director · animator · producer · editor · the voice of Niu Lai

34 as of August 2026, from Dalian. He studied landscape and environmental design, not animation, and has said the switch was genuinely hard: “how you design a landscape and how you design a film are two completely different ways of thinking.” He had the idea in early 2021, committed to it that December, and spent the next five years building the film on second-hand equipment bought online, in SketchUp — architecture software, not an animation suite. That single choice is the direct cause of the stiff, geometric movement everyone ended up posting about.

He did the whole technical pipeline alone — modelling, rigging, rendering, editing — and said so plainly in an interview in August: “frankly, it's just me doing this, I'm not a big studio.” He also voices the calf. Why that rules out AI →

Sun Lifang, who wrote Niu Lai and composed its end-credits song, photographed at home
Photo: Douban

Sun Lifang 孙丽芳

Writer · the mother cow and the lark · songwriter

Xin Yumeng's mother. She wrote the story, voices two characters — the mother cow and the lark — and wrote, composed and performed the end-credits song, “雨后轻风有香” (“A Gentle Breeze After Rain Carries Fragrance”). She had never studied music. She taught herself for this.

Chinese listeners caught something in those lyrics that no English coverage has picked up: an early line quietly spells out 雨萌 — her son's given name — across two consecutive phrases. She hid a message to him inside the song.

The process

How two people actually made an 86-minute film

  1. Early 2021 — the idea, in an ox year

    Xin Yumeng was working in landscape and environmental design. The project was conceived that spring and formally started in December 2021.

  2. A second-hand computer and the wrong software

    Equipment was bought used, online. The film was built in SketchUp, a program made for architectural modelling — no character rigging tools, no animation timeline of the kind an animator would expect. Everything the internet mocked follows from this one constraint.

  3. Five years, one pipeline, one person

    Modelling, texturing, animation, rendering and editing were all done by Xin Yumeng himself. At feature length. In his own words: “frankly, it's just me doing this.”

  4. His mother wrote the story — and taught herself to score it

    Sun Lifang wrote the script, voiced two of the characters, and then wrote, composed and sang the closing song with no musical training, hiding her son's name in the opening lines.

  5. 5 August 2026 — released with nothing

    No trailer, no teaser, no press screening, no interviews. One ink-wash poster that looked nothing like the film. In nine days it sold about 236 tickets and took ¥7,169. On 14 August exhibitors cut it to four screens.

  6. Then strangers did the marketing

    Clips spread because of how bad the animation looked. Daily screenings went from 21 to 359 in 24 hours, and the film is now past ¥63.9M — live figure and the full day-by-day run →

In his own words

An interview with director Xin Yumeng

The only long-form interview with the director that has circulated in English, subtitled by the same YouTube creator who subtitled the film itself. He talks through the five years, the software, and doing every job on the picture alone.

Exclusive interview with Xin Yumeng (Pet the Actor)
Full crew, via Douban
DirectorXin Yumeng (信雨萌)
ProducerXin Yumeng
Voice — Niu Lai (the calf)Xin Yumeng
WriterSun Lifang (孙丽芳)
Voice — the mother cow / the larkSun Lifang
End-credits song "雨后轻风有香"Written, composed and performed by Sun Lifang
Production companyDalian Jingyuan Culture Film and Television Media
The Here Comes the Ox poster for Niu Lai
The only official artwork ever released

Douban's own credit list groups some of these into a single line (e.g. "lyrics/composition/vocals" as one entry) — the table above splits them out for clarity. Every credited role on the film belongs to Xin Yumeng or Sun Lifang; there is no one else.

What it actually looks like

Four stills, for anyone who hasn't seen it

Niu Lai (the calf) leads a lark into a dream, meets other animals along the way, and grows up inside it — the full plot summary is on the movie page. These four give the shape of it faster than a paragraph can.

Reception, at home

How Chinese audiences actually rated it

As of 24 August 2026: 6.0 / 10 on Douban, from 42,637 ratings — Douban's own comparison says that's "better than 55% of animated films" on the platform. 45,878 users have logged it as watched; 12,239 more have it on their want-to-watch list.

5★34.4%
4★9.0%
3★12.0%
2★9.9%
1★34.6%

The number that gets quoted — 6.0 — hides the actual shape of this: it's not a mediocre film with mediocre reviews, it's a polarised one. 5-star and 1-star together account for 69% of all ratings; the middle three stars barely register. That split matches the "ironic praise vs. sincere contempt" pattern covered on the why-it-blew-up page — most people who rated it either loved the bit or found the whole thing genuinely dispiriting, and almost nobody landed in between.

In their own words

What Douban's top reviews actually say

The four most-upvoted short reviews on Douban as of 24 August 2026, translated — chosen for range, not for agreement with each other.

"Memes are one thing, but if a movie like this can actually succeed, that's the biggest tragedy in Chinese cinema."— Douban user bad英赛, 15 Aug 2026 · 9,444 found this useful
"Shame it clashed with Wen Muye's and Nolan's releases — otherwise it would've been a guaranteed smash, a piece of film history."— Douban user 2mlziv, 14 Aug 2026 · 9,026 found this useful
"Do you people even understand what a cult film is?"— Douban user tuobeiYe, 13 Aug 2026 · 3,914 found this useful
"This is the true bard of a twilight age."— Douban user 万里送行舟, 13 Aug 2026 · 7,008 found this useful

Douban also has 1,130+ full-length reviews, some running to essay length with titles like "前无古人,后无牛者" ("unprecedented, and no cow will ever surpass it") — read them on Douban →. Its photo gallery runs past 1,200 images — the four above are a small selection; the rest are there →.

Questions

Common questions about the people behind Niu Lai

Who directed Niu Lai?

Xin Yumeng (信雨萌), a landscape and environmental designer from Dalian with no animation training. He also produced, modelled, animated and edited the film, and voiced the calf.

Who wrote Niu Lai?

Sun Lifang (孙丽芳), Xin Yumeng's mother. She also voices the mother cow and the lark, and wrote, composed and performed the end-credits song without ever having studied music.

How many people worked on Niu Lai?

Two. Every credited role on the film belongs to Xin Yumeng or Sun Lifang. There was no studio, no crew and no outside investment.

What software was Niu Lai made in?

SketchUp, a 3D program built for architectural modelling rather than character animation, running on second-hand equipment. That constraint explains most of what audiences mocked.

Are they making another film?

Yes. On 16 August 2026 Xin Yumeng announced 《羊高》 (Yang Gao), again with his mother, again with no outside team or investment. Details →